Saturday, April 16, 2011

Tzipi Livni

Newsweek

9th May 2014

לבני: "מקורם של מבצעי תג מחיר בגרעין הקשה של ההתנחלויות"

למרות שבית המשפט שחרר שניים מתושבי יצהר שנעצרו על ידי המשטרה סביב אירועי תג מחיר והסתה, שרת המשפטים לבני אמרה בראיון לגלי צה"ל כי "המתנחלים רוצים למנוע מאתנו לחיות בצורה סבירה. הם לא מקבלים את מרות החוק"
תמר ירושלמי
בית משפט השלום בנצרת האריך אתמול (חמישי) בשבעה ימים את מעצרו של החשוד בביצוע פשעי השנאה ביקנעם. הוא המשיך להכחיש כל קשר למעשים אך השופט התרשם מהתשתית הראייתית שהציגה המשטרה והאריך את מעצרו.
בירושלים, לעומת זאת, לא התרשם בית המשפט מהראיות שהציגה המשטרה והוחלט לשחרר את עמיחי מתוקי, תושב ההתנחלות יצהר החשוד בהצתת דלת המסגד באום אל-פחם. הוא הציג אליבי ושוחרר. כמו כן, שלשום שוחררה למעצר בית אלירז פיין, גם היא תושבת יצהר, אשר תמכה בתכתובת פנימית בהריגת חיילי צה"ל.
השחרורים של תושבי יצהר הם מכה למאמצי המשטרה, אך במערכת האכיפה ממשיכים להביע נחישות למגר את תופעת תג המחיר. בדיון חירום שנערך שלשום במשרד המשפטים הביעו כל הגורמים, השרים ציפי לבני ויצחק אהרונוביץ', היועץ המשפטי לממשלה, פרקליט המדינה וכן נציגים של השב"כ, המשטרה וצה"ל מחויבות למיגור פשעי השנאה הללו.
בתום הדיון הודיעו שרת המשפטים לבני והשר לביטחון הפנים אהרונוביץ' שיפנו לקבינט בבקשה להגדיר את פעולות תג המחיר כארגון טרור, ולא כהתאחדות בלתי מותרת. זה מהלך שכבר ניסו לקדם בשנה שעברה והוא סוכל על ידי ראש הממשלה בנימין נתניהו.
הייעוץ המשפטי לא התנגד למהלך בזמנו וגם בישיבה שלשום הם אמרו שאין הבדל ממשי מבחינת סל הכלים שאפשר להשתמש בהם בין שתי ההגדרות. עם זאת נראה שהתעקשותם של לבני ואהרונוביץ' על השינוי הסמנטי יוכל ליצור גם שינוי מבחינה תודעתית.
בנוסף הגורמים הבכירים בישיבה החליטו לבחון העמקה של המעורבות של הפרקליטות בתיקים נגד מבצעי "תג מחיר" ולהרחיב את השימוש בכלים מנהליים.
בראיון לתכניתנו "בוקר טוב ישראל" עם ספי עובדיה התייחסה השרה ציפי לבני לפעולות המכונות "תג מחיר" ואמרה כי "מדובר בקבוצה אידאולוגית קשה שמרכזה בהתנחלויות מסוימות ביהודה ושומרון שלא מקבלת עליה שום מרות". עוד אמרה לבני כי "הם רוצים למנוע מאתנו לחיות פה בצורה סבירה, ומתנגדים לערכים של מדינת ישאל שאנחנו מאמינים בהם. גם פוליטית - הם אלו שימנעו מאתנו הסדר".
09/05/14

Interview: Tzipi Livni



Financial Times FT.com

By Simon Schama
Published: April 15 2011 22:01 | Last updated: April 15 2011 22:01
Tzipi Livni
‘I don’t do interim’: Tzipi Livni in her office in the Israeli parliament, Jerusalem
It’s a long, lonely walk to the entrance of the Israeli parliament, the Knesset. You cross a bald plateau of paving alongside an avenue of Star of David flags, and on the way try to fight off an attack of seasonal metaphors. But you fail, for it’s spring in Jerusalem. Sprays of almond blossom riot against the blonde limestone walls. “Hatikvah”, the Israeli national anthem, means hope, and, however many times it’s been dashed, this is the season when it’s no shame to fall for it all over again, what with multiple sproutings going on from the Maghreb to the Gulf. Could Passover, the freedom festival, herald liberation from the bondage of defensive assumptions, starting with the received wisdom that any serious move towards peace with the Palestinians is bound to deliver more jeopardy than security?
The party Tzipi Livni leads calls itself Kadima – Forward – a name which turns a military order into an exhortation to break with dead-end truisms; a march to the future. No one could accuse its first leader, Ariel Sharon, the epitome of military ferocity, or its third, Livni, the ex-Mossad agent, of being soft touches. But she wants to redefine bravery as more than reflex military impulse; rather as the co-existence of Palestine and Israel: “two states for two peoples”.
“Time is not on our side” is one of the refrains of her conversation. The possibility that the United Nations General Assembly will independently recognise a Palestinian state in September has given the need for movement on the negotiation front a burst of urgency. It is beginning to sink in that Prime Minister Benjamin Netanyahu’s default mode of standing pat could confront Israel with unpalatable alternatives: either the acceptance of imposed borders, or the drastic consequences of refusing to recognise the frontiers of a sovereign fellow member of the UN.
Ze’ev Jabotinsky
The Zionist Revisionist Ze’ev Jabotinsky
Even without this incentive to action, Livni, who has a son in the Israeli army, does not believe that a perennial defence of the status quo best serves the survival, let alone the prospering, of the Jewish state. She makes no secret of her frustration with Netanyahu, whose opposition to the talks that she and the former Kadima prime minister Ehud Olmert had with the Palestinian leadership in 2007 and 2008 was, she believes, expedient rather than principled. “I have no idea (other than rejectionism) what he wanted,” she says, a bemused smile settling on her face. “Actually, I still don’t know.”
Their difference has the unforgiving sharpness of a family feud, but the family in question is ideological. Both “Bibi” Netanyahu and Livni come from the same political cradle: the Revisionist party founded by the charismatic orator and writer Ze’ev Jabotinsky in the 1920s out of disgust with what he thought was mainstream Zionism’s cowardly pragmatism; its refusal to embrace a sovereign Jewish state – on both sides of the Jordan – as the unequivocal goal of the movement. Bibi’s father, Benzion Netanyahu, a distinguished historian of the fate of Jews under the Spanish Inquisition, who celebrated his 101st birthday last month, was Jabotinsky’s secretary, a pedigree that gives the Netanyahus an almost dynastic claim to the succession of hardline Zionism.
Menachem Begin giving a speech
Irgun commander Menachem Begin
But Livni’s father, Eitan, the operations chief for the Revisionists’ paramilitary wing, the Irgun, was hardly a compromiser. It was the Irgun that blew up Jerusalem’s King David Hotel in July 1946, and today it would unquestionably be classified as a terrorist organisation. But when Livni argues to the Israeli people that their true security is best served by evolving away from a dug-in obduracy, she can invoke her father’s Irgun commander, Menachem Begin, whose history of militancy did not prevent him from evacuating the Sinai Peninsula, shaking the hand of Anwar Sadat and signing a treaty of peace with Egypt in 1979. It was that larger vision, she thinks, that was the stamp of true leadership. By contrast, Netanyahu’s outlook seems morally puny and historically self-defeating.
Livni points to another hard man of the right – Sharon, who was prepared to uproot settlers from Gaza – as an additional precedent for the courage of changed minds; Revisionism revised. If the ultimate goal is the simultaneous preservation of Israel as a Jewish state and a democracy, then the Land will have to be divided. Otherwise demography will destroy democracy.
She knows this is a hard sell, especially in light of a recent upsurge in atrocious violence. This month, an anti-tank missile launched from Gaza fell on an Israeli school bus. The subsequent counter-strike killed several Palestinian civilians. In March, Livni went to the shiva mourning at the West Bank settlement of Itamar for the Fogel family, whose slaughtered included small children, the youngest three months old, throats cut as they slept in their beds. “Though the settlers have very different views, I had to go, to express my grief and that of the nation,” she says.
The bereaved told her that at such a time she and her party should unite with the government. She tried to explain that murder only deepened her conviction that there could be no papering over the profound differences between which policies would deliver true security.
. . .
Tzipi Livni talks to Simon Schama
Almost the first thing the smiling Livni asks me as she comes into her modest office is whether I’d seen the framed document on the wall. I had been too busy looking at the photographs of her handsome, hawk-faced father and her mother, Sarah, to pay the letter much attention. But now I saw it was dated 1929 and was from Jabotinsky himself. My ragged Hebrew made out the word “nashim” – women – but not a lot more. Livni smiles again. “He’s writing to the town council to say he wouldn’t be paying any more taxes until women were hired.” “Was he true to his word?” I ask. “I bet!” she laughs.
Tough women are Israel’s history. Golda Meir, whose successor as prime minister Livni hopes to be, existed on a diet of cigarettes and six-inch nails for breakfast and made veteran generals look limp-wristed in comparison. Sarah Livni (née Rosenberg) with her thick knot of swept-up hair, wide, dark eyes and a delicate button nose, is drop-dead beautiful. I say so, and the daughter enjoys telling me about the firebrand’s vanity. “She lied about her age.” “How much?” I wonder. “A lot!” At Sarah’s shiva a few years ago, veteran comrades from the Irgun made sure to tell Livni that some people called the dead Sarah “the mother of the traitor”. “Did you find out what she said in reply?” I ask. “Yes, they told me that my mother said ‘she’s my daughter and my daughter is always right.’”
Sarah and Eitan Livni
Livni’s parents, Sarah and Eitan, in 1949
Tzipporah means bird in Hebrew, and the daughter has her father’s prominent, slightly beaky nose and the keen, intensely blue eyes that give her a look of avian alertness. The plumage is elegant: a sweater-dress in the black the photographers had expressly banned. She laughs at her disobedience, knowing that the stretch fabric shows off her trim, curvy figure. She wears indigo-blue tights and strappy grey suede shoes brightened with a little inset band of gold. The mother of two boys, she looks a lot younger than her 52 years and acts young too; merrily tough, easy body language. In conversation she’s animated and relaxed, the unhesitant English running along like water over stones. I had been warned by friends in the Israeli media that our conversation would be stolidly unmemorable. “That Livni,” said one of them, “she’s less than meets the eye.” Boy, was he wrong.
In Israel, politics invariably comes back to families, solid and fractured, devastated and enduring. Tzipi Livni is no exception. “You know how my mother and father met? In a train robbery!” Women were recruited by the Irgun to join the heists so that they could stuff the loot inside their clothes and pass – so the folklore has it – for pregnant. Both Eitan and Sarah were subsequently arrested and imprisoned, but it took more than barbed wire to keep Livni’s mother cooped. Incarcerated, Sarah found someone to spike her milk with whatever it took to mimic the symptoms of appendicitis. Transferred to hospital, she jumped from the second-storey window of her ward to liberty. Livni would later meet someone who took her mother in while on the run, still in her hospital pyjamas. Songs were written about the exploits of the legendary “Sarah katon” – little Sarah. “Want to hear one?” asks Tzipi, switching on her iPod. On comes the marching song and massed chorus, over which the daughter translates the lyrics of sentimental martyrdom … “If they are going to hang me, don’t cry. This is my fate; instead of tears, take your gun close to your heart.”
Jerusalem’s King David Hotel in 1946, after it was bombed
Jerusalem’s King David Hotel, which was bombed in 1946
Eitan, who made his own escape in the Acre prison break in 1947, was the hardest of the hard. Serving for many years in the Knesset as a Herut (the forebear of Likud) party member, he was displeased by Begin’s peace deal but abstained rather than vote against, “out of respect” for his old commander. His will specified that his gravestone should bear the emblem of the Irgun, a raised rifle over the “greater” Eretz Israel along with the slogan “Rak kach” – “Only thus”. Perhaps it’s exactly this family history of fanatical militancy that makes it possible for Livni to understand the Palestinian version, and to be so committed to getting beyond the romance of blood.
In any case, she says, the likes of her parents were less hypocritical in their daily dealings with Palestinian Arabs than the self-righteous Mapai party-affiliated left that dominated Israeli politics and governing institutions in the first three decades of Israel’s existence. Tzipi grew up in a Tel Aviv district where politically correct neighbours were disconcerted to see Arabs coming to tea with Eitan, who spoke their language. “As a kid, I led a double-life,” she says. It didn’t do to own up to a Herut family when all of her friends were Mapai. Betar, the youth movement inaugurated in Israel by Menachem Begin, had been notorious for kitting out its cadets in brown shirts, chosen to symbolise the soil of the Land of Israel but, as the Mapai-niks were quick to remind anyone, bearing a telling resemblance to the uniform of the Nazi SA stormtroopers. Baffled by being called a “brownshirt” at school, when she was wearing the revised uniform of blue (for the skies of Zion, naturally), Tzipi came home to ask her parents what this was all about, and got from them, she says, a strong sense of a marginalised minority. Occasionally, the young Tzipi made a stand. In observance of May Day – a socialist occasion which, to her parents’ indignation, had been turned into a national holiday, Israeli schools were shut. “I demonstrated against this.” “How?” I ask, hoping for some act of hellfire revolt. “By going to school!”
Tzipi would not stay so well-behaved, joining the Mossad at 22, just out of the army. Around the time she was with the Israeli intelligence agency, in the early 1980s, an atomic scientist working in Iraq showed up dead in Paris. Although she may have been nothing more than a safe-house manager, it’s not hard to imagine Tzipi glamorously dangerous. Since there’s no point trying to get anything out of her about the Mossad years we talk of more important things, none more so than the clandestine discussions with the Palestinian Authority leadership undertaken in 2007 and 2008 by Olmert and herself, details of which were leaked earlier this year by al-Jazeera.
. . .
Mahmoud Abbas shakes hands with Tzipi Livni a meeting in Sharm el Sheikh, Egypt
Tzipi Livni, then Israeli foreign minister, with Mahmoud Abbas at a 2008 peace conference in Sharm el Sheikh
For a long time, it was an article of faith for almost all Israeli governments that the hardest issues – the fate of the settlements, the military status of Palestine and, above all, the possibility of Jerusalem being something other than the exclusive and unified capital of Israel – should be set aside pending some sort of preliminary agreement. But, Livni says, “I don’t do interim.” Postponing the hard stuff was not only cowardly; it would guarantee the unravelling of any more generalised agreement. In Sharm el Sheikh, Olmert and Livni said farewell to procrastination. Nothing, not even Jerusalem, was off the table. She stresses that an agreement over the city was not reached between her and the Palestinians; and that if she is to respect the promises of confidentiality made to their leadership, she can’t discuss any details of the al-Jazeera leaks, which they themselves have not put on the record. But her revolutionary willingness to countenance the possibility of a shared Jerusalem is the reason why Livni is not prime minister today. The price of forming a coalition with the ultra-orthodox Shas party was to take the indivisibility of Jerusalem off the table – and this she steadfastly refuses to do.
The breakthrough at Sharm el Sheikh with Mahmoud Abbas and Salam Fayyad was one of psychological temper. Livni insists, refreshingly, that peace, or even the cessation of mutual mutilations, cannot turn on a choice of competing narratives; that the endless competition of unspeakable calamities, such as the Holocaust and Nakba, was a ball and chain that would hobble the lives of children yet to be born. Enough already!
Tzipi Livni at a press conference with Hillary Clinton
Livni conducts a press conference with Hillary Clinton in 2009
“We began by talking about rights,” she says, “our rights, their rights,” and then decided to stop doing that and talk instead about possibilities. “It’s said that the devil is in the details, but in our case it was God instead … We made lists – the kind of lists, for example, of the kind of weapons they would need to defend themselves and the weapons we couldn’t let them have, and we found we could do those lists!” “Did their flexibility on these kind of matters surprise you?” I ask. She gives me one of her high-wattage smiles: “This wasn’t the first time I met with them.”
She gives me an example of the difference this made on one notoriously thorny issue: the demilitarization of Palestine. To ask as much was, initially, an outrage to the Palestinian leaders, who retorted they would never accept being a “minus state”. “At that point we could just have given up, and left the room, but we didn’t. We talked history. ‘Look,’ I said, ‘has Germany been an impotent “minus state” for limiting its army and armaments? Has Egypt been disadvantaged by a demilitarized Sinai?’” And so they hashed out those lists. The same concrete approach went for territorial exchanges. What seemed irreconcilable changed when representatives from both sides went to walk the line, to physically look at villages, olive groves, roads.
You get the feeling Livni thinks this kind of bargaining can make headway on all the issues that conventional wisdom has for so long decreed to be unresolvable. And that while men like to thump the table and shout grievances, women get on with the mundane practical matters in hand that constitute the realities of daily life. So she thinks about what those realities might be like for Palestinians as well as Israelis. “It’s not in our interest that Palestine should be a failed state.” Or, she adds, “an extremist state”. That, she explains, is the true conflict at the heart of the Middle East, one even bigger than the enmity of Jew and Arab: the genuinely irreconcilable clash between theocratic and autocratic regimes, and liberal democracies. Right now, and for a little time perhaps, an Israeli party of reason might be able to make the peace with its Palestinian counterpart. Evidently there has been something like a meeting of minds across the “security fence”. But not forever. No one knows which side – Islamic militancy or democratic secularism – will emerge from the Arab spring. But that uncertainty only makes the need for an early settlement more, not less, pressing.
Not least because Israel, too, has a domestic cultural conflict on its hands that is undoing assumptions about what kind of Jewishness the Jewish state is supposed to embody. Between the Jerusalem ultra-orthodox Haredim, for whom the only true Jewish state is one based on rigid obedience to halacha, the precepts of the religion, and those whose Israel is pluralist and secular, there is as wide a gulf as between the Muslim Brotherhood and the Tweeters of Tahrir Square. The two crises – of the outer borders of the Jewish state and its inner identity – Livni sees as organically connected. It says something about her forthrightness as well as her optimism that Livni wants a written Israeli constitution that would make a clear demarcation between synagogue and state.
Tzipi LivniBut then she is a great believer in the strength of principle, championing an international code of practice to govern elections in newly born democracies. Recalling that in Israel the expulsionist Kach party was disbarred from participating in elections, she wants the same principle to apply to parties in Muslim countries that use democratic means to overthrow democracy. Hitler, she remembers, came to power through the ballot box. “This would not be patronising or imperialist,” she says. “They can all do what they like. But if they want to participate in an international community they should abide by those conventions.”
It’s this kind of reflectiveness that makes one feel Livni is a mould-breaker, even though when you say this around Jerusalem and Tel Aviv, you are met with sceptical chuckles. But perhaps it’s the worldly straightforwardness of Tzipi Livni’s emotions that might make it possible for her to translate political heresies into a working version of what the majority of Israelis crave, the shalom, the salaam that is the first thing out of the mouths of Jews and Arabs alike. Don’t tell me gender has nothing to do with this; the difference between Netanyahu’s reverence for his father and his famous hero-brother Yonatan, killed in the 1976 Entebbe raid, and Livni’s life as a Mossad agent become mother. A few weeks ago, she went to see her younger son, Yuval, graduate as an officer in an elite combat unit of the army. To make the moment more intense he had signed on for a four-and-half-year service rather than the mandatory three. Talking about this, her face softens and she reaches into her wallet to show me a photo of handsome Yuval and his curly-haired elder sibling Omri. The ceremony was in the Negev desert but it was a chill winter day. “Of course I was conflicted. I was so proud of him but my heart was in terrible pain so I added my tears to the rain.”
There’s nothing trite about this. What Livni wants for herself, for Yuval, for Israel, she wants so that the tears, as well as the blood, might finally have some chance of stopping.
To comment on this article, please e-mail magazineletters@ft.com

Thursday, March 17, 2011

Mona Eltahawy Next Revolution 2013- September 2012 -I tell fellow Egyptians and fellow Americans it's about us, not about them 14 09 2012

Back to Revolutionary Woman vs Burqa Woman

Revolutionary Woman vs Burqa Woman

March 17, 2011
Mona Eltahawy
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Mona Eltahawy
Supplied Photo

NEW YORK—As if further proof were needed of the intellectual as well as physical cave Al Qaeda inhabits, their new online magazine “Al Shamikha” (Majestic Woman) is the latest reminder.
As women and men, passionate for freedom and dignity, fuel uprisings and revolutions that are sweeping across the Middle East and North Africa, one wonders who wants to read that a “Majestic Woman” does not “go out except when necessary” and that she always wears a face-covering niqab for protection from the sun. Call it SPF:Niqab.
What a laughable idea when you see a photograph of a woman in niqab hugging a Coptic priest in Cairo during the Egyptian revolution that ended Hosni Mubarak’s 30-year rule. Try telling her or any of the other women in headscarves and those women not wearing any kinds of veil that they shouldn’t “go out except when necessary”. They would laugh at you and remind you that they marched and chanted alongside men in Tunisia, Egypt, Libya, Bahrain, Yemeni and most recently Gaza, the West Bank and Syria.
With such a breathtaking display of women and men power, surely Al Qaeda realizes the market — albeit the literally radical fashion niche one — is shrinking by the minute.
Al Qaeda espouses an ultra-orthodox interpretation of Islam which extols “out of sight and voiceless” as its ethos for women because it considers a woman’s face and voice objects of desire to be covered and silenced. Otherwise, the group steadfastly ignored women until it became convenient to recruit them to blow themselves and others to pieces in Iraq and elsewhere where the head-to-toe covering could get them into places men fitted with a suicide belt could not.
How on earth, one wonders, could its magazine marry such an ideology with the flipped-on-its head brew of women’s magazines: fashion, sex and starvation?
Getting a man is still the goal. The right man for a “Majestic Woman” is of course a “mujahid” (warrior in the name of Islam). In one interview, a woman extols her glorious marriage to a jihad fighter who was killed and how she broke the happy news to her children.
Flipping through its online pages, I couldn’t help but think one has to have been living under a rock inside that cave to think Al Shamikha’s market is anything but a quickly shrinking one. Al Qaeda and its message that only violence can bring about change is irrelevant. The role models for millions of young women and men — not just Muslims but all across the world — are those revolutionaries in Egypt who showed how non-violence could end decades of a dictator’s rule in just 18 days.
Look no further than Yemen, the poorest country in the Arab world where Al Qaeda does have a presence. The truly “Majestic Woman” is Tawakul Karaman. Dubbed one of Time magazine’s “16 of History’s Most Rebellious Women,” she was the first Yemeni female journalist to remove her face veil on the job. As chair of Women Journalists without Chains, she defends human rights and freedom of expression and has been protesting outside of Sanaa University every Tuesday since 2007.
Her goal — and the uprising that she helped to start on Feb. 10 after a boost of inspiration from Tunisia and Egypt — is to end the rule of Ali Abdullah Saleh, in power since 1978. Karaman has been jailed several times, including just days before the start of the uprising.
Who do you think young Muslim women are most drawn to? Al Qaeda’s out-of-sight “Majestic Woman: or a woman whose fierce majesty (Yemeni friends love to share videos of Karaman leading protests with her chants) poses one of the most serious challenges to a dictator in 33 years?

===========================================

Mona Eltahawy on Egypt’s Next Revolution

The Egyptian-American activist speaks out on the dangers women still face in a changing Mideast


Why are you so willing to head back into danger?” I ask Mona Eltahawy.
We’re sitting in a café on the Upper West Side of New York City, not far from her Harlem apartment, and the brutal reality of the political violence she’s been subjected to seems far away. But the fiery Egyptian-born journalist-activist has been living on the bleeding edge of history since 2005, a prominent voice in the movement that led to the dramatic Arab Spring uprising, climaxing with the 2011 fall of the Egypt’s modern pharaoh, Hosni Mubarak.
And the bleeding edge is still bloody, now that the “Arab Spring” has entered perhaps its most dangerous and unpredictable phase. In Egypt, some of the original revolutionaries, such as Mona, are now turning on the new rulers, President Mohamed Morsi and his Muslim Brotherhood, who they believe have hijacked the uprising and betrayed its democratic ideals. Eltahawy has been there for all that and now, she tells me, she’s heading back to the streets of Cairo, where she has suffered torture, sexual assault and broken bones from beatings.
The historical stakes are high in this critical phase of the struggle. Will the hopes awakened by the Arab Spring be crushed the way they were in Iran after the overthrow of the shah?
I’d met Eltahawy a couple of months earlier, at a dinner party hosted by Jesse Sheidlower, American editor of the Oxford English Dictionary. Although texting is a dinner-party faux pas, even in Manhattan, her dinner companions understood her compulsion: She was urgently communicating with fellow activists who were at that moment clashing with the police in the streets of Cairo. The ongoing social media revolution leaping halfway around the world in real time.
The dinner captured her dual identity perfectly. She was dressed in a stylish black with a silver necklace representing the ancient figure of Fatima, “protection against the evil eye,” she said. And at one point she rolled up her right sleeve to show off a new tattoo on her forearm, an image of the goddess Sekhmet, one of the oldest female deities of one of the oldest civilizations on earth. “She represents sex and retribution,” Eltahawy explained. She’d gotten the tattoo to mark the place where the Egyptian secret police had broken a bone.
In the café, when I ask her about the violence she was flying back into, she is nonplused. “I have a lot of friends and family who are very concerned about me,” she says, “But I try not to think about it. I’ve already had my arms broken and I’ve been sexually assaulted, so I’m hoping they’re not going to do any more than that.”
She’s not exactly self-protective.
“Look,” she says, “it’s dangerous for everybody in Egypt right now. Everyone who wants to stand up to the government, the state, the regime, the military, the Muslim Brotherhood—call it whatever you want. And we’ve been hearing about activists who are abducted, tortured, dumped in the desert naked.” In other words, meet the new boss, same as the old boss, only worse because you helped get the new boss his job.
***
Born in Port Said to parents who were both physicians, Eltahawy studied journalism at the American University in Cairo and began her career writing for a dissident English-language Egyptian newspaper that had to smuggle its copy out to Cyprus to be printed and then smuggle it back in. She became a globe-trotting foreign correspondent for Western outlets like Reuters and the Guardian, and gradually made the transition from journalist to journalist-activist. “I used my journalism as much as I could to expose human rights abuses, to expose women’s right abuses,” she says. “I was called into State Security for interrogation several times,” she tells me. “At one point a State Security officer whose nom de guerre was Omar Sharif—though he looked nothing like the actor—showed me my security files, and he said, ‘You see how much trouble you are? These are the files to have you followed, to have your home tapped.’” She married and moved to America in 2000 (she now holds dual citizenship), continued writing but, she says, “9/11 killed objectivity for me.”
“What do you mean, it ‘killed objectivity?’” I ask.
“When 9/11 happened I thought I’m not hearing from Muslims like ourselves,” she says, meaning liberal and moderate types. “I’d only hear from old men and conservative women. So I started writing opinion pieces. I wanted to get another voice out there to show that, look, 9/11 doesn’t represent all Islam.”
Soon afterward, her marriage ended and she flew back to Cairo, where she came into contact with the beginnings of the social media protest movement there. “I went to visit my family in Cairo but also took it as a chance to meet a lot of bloggers—a new thing, bloggers in the Middle East, that I was getting to know about. And in June of ’05, one of them asked me, ‘Do you want to come to a protest?’ And I said I’d love to! And it was the first time in my life that I’ve marched in Cairo and chanted ‘Down! Down! with Hosni Mubarak!’ There were only 100 of us. People were looking at us as if we were insane.”
There has been a major ongoing debate in foreign policy and technology circles over how decisive a role social media played in the Arab Spring uprisings.
“For many years now, social media in the Middle East and North Africa were tools and weapons,” Eltahawy says. “Social media created a space that didn’t exist in the real world because the regime didn’t allow it—the space where people could connect and talk about demonstrations and talk about organizing demonstrations. But they were not the reason the revolution happened. The revolution is people out on the street, not on their computer screens. They took it out into the real world.”
“And it started with bloggers and moved to Facebook?”
“Yeah, and it was also very important the way they used YouTube. Because the police, for some twisted reason, would use their smartphones to film themselves torturing jailed people. And they would send those videos to those who knew the victim—to intimidate and humiliate. And these videos would get out, and bloggers would put them on YouTube to expose the brutality of the Mubarak regime.”
The fact that social media can be a two-way street, with the side in power using it to terrorize, is often a neglected side of the equation. But social media is an explosive force, difficult to control, and this time it backfired.
“Something very interesting happened in the summer of 2010,” Eltahawy continues, “six months before the revolution began. People have died because of police torture in Egypt for many years. But this young man in Alexandria on the Mediterranean coast, Khaled Said, was beaten to death by police. And pictures of him before and after began to appear on Facebook. And this man became an icon. Why? Because he represented the background many people on Facebook came from—a comfortable, affluent background, one that had not experienced the brutality of the Mubarak regime and hoped that if they were quiet and didn’t engage politically, they would be OK. So you got all these young people on Facebook who saw him and saw that they could be him. So they began to join protests as well. That was a pivotal moment.”
***
Eltahawy takes pride that though she became an activist, a frequent TV talking head opining about the Arab Spring, she has remained a writer. Indeed, she was recently signed by the distinguished publishing house Farrar, Straus & Giroux to write a book about her experiences and the plight of women in the Mideast, including her opposition to female genital mutilation. (Her working title is Headscarves and Hymens.)
“When they attacked me at the end of 2011,” she tells me, “I couldn’t write because both my arms were in casts. I could only tweet and use a touchpad with one finger. I understood then that my body was as much a medium as my words. Because I would appear on television with the casts on and I would talk about what happened to me and that was just as powerful as the words that I wrote.”
I asked her to describe the assaults that had led to that point, and it was a frightening and sinister episode in the modern battle between social media protest and old-school police state tactics.
“This happened,” Mona tells me, “during protests on a street called Mohamed Mahmoud. On November 18, 2011 [nine months after Mubarak’s resignation], the army and the police very violently broke up a peaceful protest in Tahrir [Square].”
The demonstrators were marching against the military junta then ruling Egypt.
“I was traveling at the time in Morocco to give a lecture, and then I was supposed to go to the European Parliament to give a talk there about women in revolution—but with what was happening in Egypt, I couldn’t. I needed to be in Cairo to be a part of this, but also to honor the courage of the men and women on that street fighting to defend Tahrir. I was reading about stories of boys as young as 12 going to the streets, and writing their mothers’ phone numbers on their arms with Sharpies, so that if they ended up in the morgue, people would know who to call.
“I was in Tahrir Square about 24 hours,” she continues, “when I went to meet a friend. He said, ‘Do you want to go to Mohamed Mahmoud [street]?’ and I said, ‘Yes, this is why I came.’ All I remember is lots of tear gas, lots of sirens, and we kept pushing and pushing until we got to the front line. I stood on a rock to take pictures of the security, because the front line was mobbed by this kind of metal grating and then an empty space—a no man’s land—and the security people were on the other side, the police and the soldiers. So I stood on the rock and was taking pictures with my smartphone, and they began to shoot at us. I don’t know if it was live ammunition or if it was pellets, buckshot. So we all ducked.”
At this point, as often happens in espionage dramas, a kindly stranger appears to offer a helping hand.
“There was this man who said, ‘I’ll help you if you want to stand on the rock. I’ll hold your hand.’ They started shooting again so he told me and my friend, ‘Let’s go hide in this store.’
“So we’re sitting there in the store waiting for the shooting to stop, and then I noticed that this man was holding onto me and it was very strange, because men and women don’t hold hands in public in Egypt. The shooting was getting closer and closer so we ran farther into the store. More men came in. And one of the guys groped my breast.
“So I began to punch the guy who groped me, because I couldn’t believe—who gropes a woman’s breast as we’re being shot at? I mean, who?! My friend tried to pull me away. He said, ‘Mona, we’ve got to run, we’ve got to run.’ Because he could see that the police were getting closer.
“And then the riot police come and everyone runs away, and I understood that these guys had entrapped us. They were plainclothes security or thugs. And they kept us there until the police came. I thought my friend had managed to escape, but they took him to a place where he could see me getting beaten and they beat him as they were beating me.”
“Oh, my God.”
“So I was surrounded by about four or five of the riot police who had nightsticks and they were beating me. It was really painful. So to protect my head I went like this [putting her arms in front of her head], which is why my arm was broken here and my hand broke here and here. As they were beating me, my phone fell, so I didn’t have my smartphone anymore, and then they started to drag me away, and I actually said, ‘I gotta get my phone, I gotta get my phone,’ because I understood without this phone, I couldn’t tell what happened to the outside world.
“They wouldn’t let me get my phone, of course. Then they dragged me into the no man’s land where they sexually assaulted me. I had hands all over my body, I was pulling hands off my trousers. They were pulling my hair, they were calling me a whore, the daughter of a whore, everything. And at one point, I fell to the ground and something inside me said if you don’t get up now, you’re going to die. I don’t know how I got up. Because if I hadn’t gotten up—you know that picture of the woman they stripped down to her underwear and they were stomping on her in Tahrir—did you see that picture?”
“I didn’t see that.”
“It became known as ‘blue bra girl,’ it was a very unfortunate name. Because they stripped her down and she was wearing a blue bra. But the soldiers were stomping on her chest.”
“Where does this behavior come from?”
“Oh, my God. It’s rage, rage that the people rose up and were able to do something.”
“And their privileged position was being threatened as well?”
“Exactly. So I managed to get up somehow. And they drive me to the Interior Ministry and all the way, their hands are still all over my body.”
“You must have been terrified.”
“I didn’t know what the hell was going to happen to me. We passed all of these men coming out of the Interior Ministry and I thought, ‘someone is going to stop this.’ I mean, they can see what they’re doing to me. Nothing. It’s like their eyes are dead to me.
“So they take me to their supervising officer. This man in a leather jacket—plainclothes. He says to me, ‘You’re safe now. I’m going to take care of you. You see those guys over there?’ And there’s a mob of riot police just waving their arms like this. He said, ‘You know what would happen to you if I wasn’t here?’ So he’s basically threatening me with gang rape. And he’s saying this, ‘I’m protecting you,’ and their hands are still all over my body.
“This only stopped when a man from the military, an older man from the military in fatigues said, ‘Take her away.’ And I thought they were going to let me go. But they took me inside the Interior Ministry. I spent six hours in the Interior Ministry and three hours into it, an activist came from Tahrir to try and negotiate a truce, and he didn’t know me and I didn’t know him, but he had a smartphone. So I asked if I could use it.”
Here at last, Twitter to the rescue.
“By that time they weren’t paying too much attention to me, and I managed to tweet, ‘beaten, arrested, Interior Ministry.’ And that’s how I got the word out. I was told afterward that in 15 minutes, #FreeMona was trending globally. Al Jazeera and the Guardian reported my arrest and the State Department tweeted back, We hear you and we’re on this.”
America comes through, I say.
“Yes, I know! But that’s why I say I must speak about what happened to me very, very openly because I have a privileged position. Because of who I am, because of my profile, Al Jazeera, the Guardian and the State Department paid attention. How many thousands of Egyptian women and men and children go through this anonymously?”
“Very upsetting to hear.”
“I got off lightly, Ron. Human rights groups continue to document this torture to this day, despite the elections we’ve had. And this Interior Ministry where I was kept, they had cells there for what has been described as sexual torture, of men, women and children.
“Six hours into this detention—now, remember my arms are broken, yeh? I kept telling them, ‘I need medical care.’ Nothing.”
“You must have been in great pain.”
“It felt like hell. And I also told every single man who tried to talk to me or interrogate me, that I was sexually assaulted, because I wanted them to know. This is not my shame, this is their shame. Because this is how they train them.
“And then at one point, the big guy, the big boss now, dressed in a nice suit, he thought that because I look like I come from a privileged background, that we could identify. So he says to me, ‘You know those men who did this to you?’ This is the riot police. He said, ‘You know who they are? They are from the dregs of society. We lifted them up, we scrubbed them clean, and we opened the door this much in their minds.’ And he thought I was going to say ‘of course, these barbarians.’
“‘Why do you think we’re having a revolution?’ I asked him. ‘Who let them live like this?’ So I ended up defending the men who broke my arms and sexually assaulted me against this bastard who thought I was going to play the class card.”
Remarkable she had the self-possession to argue politics at such a moment.
“This is the reality of what’s happening in Egypt. But they use this against each other. They treat these men like animals and they turn them against us, and we have to break that by saying, ‘you have made them live like this and you use them against us. You are the enemy, not them.’”
“So in other words, even after Mubarak left...”
“Even to this day when we have a democratically (quote, unquote) ‘elected president.’ This happens.”
“This still goes on.”
***
A year or so ago, Foreign Policy magazine asked Eltahawy to write an essay analyzing the question of Islamists and women. She called it “Why Do They Hate Us?”
It was a play upon the title of a semi-famous post-9/11 Fareed Zakaria piece with nearly the same title, his about why the Muslim world, or at least the Islamist faction of it, “hates” the U.S. For our freedoms, he said, basically. (“Islamists” is a term used not for Muslims in general or mainstream Islam, but for extremists willing to use violence to establish theocratic regimes.)
Mona’s piece was about why she believes Islamists and their regimes hate women. Beneath the title was a graphic picture of “blue bra girl” in the process of being stomped to death. Strong stuff. As were its words: “An entire political and economic system—one that treats half of humanity [meaning women] like animals—must be destroyed.”
Tell us how you really feel, Mona.
“You still have hope then?” I ask.
“What we need even more than regime change,” she tells me, “is a social and a sexual revolution that believes in individual freedoms, that believes essentially in removing the internal Mubarak. The regime oppressed everyone—but beneath that the culture repressed women. It’s a toxic mix of culture and religion and we have to change that. And if we don’t do it, the political revolution will not succeed.
“It’s going to be a mess for a few years, but it’s a necessary mess because we have to mature....But I remain optimistic because I’m looking five to ten years from now and I’m insistent that we organize so that we provide an alternative to Islamists.”
Her sensitivity to those who she believes would conflate Islam with Islamists inspired her to take an action last year that received worldwide attention. The spark was a poster put up around New York City subway stations by a right-wing pro-Israel group. The poster attacked jihadists and labeled them “savages.”
“Did you wake up one morning and read about this?” I asked her.
“And snapped,” she said. “What really upset me was that this campaign was for me the latest example of an attempt to bully Muslims. Ever since 9/11 Muslims in this country who had nothing to do with 9/11 because the guys who took part in that came from other countries—none of them was an American Muslim. But we’ve been paying the price for it ever since.”
We talk about the disturbed woman who pushed a Hindu man in front of a subway killing him because she thought he was Muslim or Hindu and they all should be blamed for 9/11. Weirdly both Mona and I knew the unfortunate victim. “Sen!” she said. He worked in a copy shop I used. It was shocking to learn someone you knew as a gentle soul had been struck by a lightning bolt of mad hatred.
The posters also made her frustrated with social media. “I felt I hit the wall with it,” she says, because it was all atwitter about the outrage, but nothing was being done. She felt she had to take direct action—take the fight to the streets. She went out, got some spray paint, and started painting over posters.
But she didn’t black out the posters—she used pink spray paint. “People have accused me of trying to shut down speech. But I chose pink for a reason, Ron: because it was see-through. And I wanted people to see the words underneath. I considered this nonviolent civil disobedience. I love the First Amendment. I believe in the right to offend. I received my first death threat after I defended the Danish cartoons against the prophet. [Back in 2005 a Danish newspaper published a series of images of Muhammad, considered blasphemy to most orthodox Muslims.] I considered the ads hate speech.”
Eltahawy was arrested for the act. She was eventually offered a plea bargain to a minor violation but refused the deal and demanded a trial, which has yet to take place.
Ever the optimist, she is convinced she’ll win: “If a judge in New York considers hate speech [the posters] political speech then my protest of hate speech should also be protected political speech.”
While she’s been attacked for the poster action, she’s an equal opportunity offender—she’s also been attacked for making one of the most important, and courageous, statements about the vexed Israel question I’ve come across from an Islamic activist: She called the Arab world’s preoccupation with the Israel-Palestine problem “the opium of the Arabs.”
Yes, she supports the Palestinian position (she’s been attacked for tweeting support of the hunger strike of a jailed jihadist in Israel) but, she says, “getting rid of this opium would involve disenabling our regimes from using Israel as a distraction from their own crimes against us.”
Toward the end of our talk, I found myself asking her, “What made you Mona?” How did she become the unique voice she’s become. It turns out a secret stash of feminist literature in Saudi Arabia did the trick.
“I think several things [made me different],” she says. “First that I grew up with parents who were equals because my parents met in medical school. When we moved to the UK, I often say that I learned to become a minority. I understood that wow, people expect Muslim women to be nothing, but I have a mother who’s doing a PhD. What is this?
“And then we moved to Saudi when I was 15, and this was a huge schism in my life. My world turned upside down in Saudi Arabia because my frustration at the way women were so badly treated there. It finally found an outlet when I was 18 or 19 and I found ...feminist literature in the library of my university.”
“In Saudi Arabia?”
“Yeah, some professor had put feminist journals up there—[in the city of] Jeddah . It saved me. And I often say that as a woman, you either lose your mind or you become a feminist. And so I began using my mind. I fell into a terrible depression. But I was saved by feminism. That was a real pivotal moment in my life. Becoming a feminist in Saudi Arabia.”
Before she left to pack for her trip back to the violent streets of Cairo, Mona showed me again the tattoo of a goddess she had inscribed on her arm where the police had broken it. “Sekhmet,” she said, “very much a woman. The head of a lioness.”
====================================

Tuesday, March 8, 2011

Batis Family Greece just before ww2

http://www1.yadvashem.org/yv/en/education/interviews/batis.asp#4.3

"For That, It Deserves a Prize" – The Story of a Two-Thousand Year Old Jewish Community in Ioannina, Greece

An Interview with Survivor Artemis Batis Miron

Sunday, March 6, 2011

Mark Mazower. Democracy’s Cradle, Rocking the World. Greece.

Democracy’s Cradle, Rocking the World

YESTERDAY, the whole world was watching Greece as its Parliament voted to pass a divisive package of austerity measures that could have critical ramifications for the global financial system. It may come as a surprise that this tiny tip of the Balkan Peninsula could command such attention. We usually think of Greece as the home of Plato and Pericles, its real importance lying deep in antiquity. But this is hardly the first time that to understand Europe’s future, you need to turn away from the big powers at the center of the continent and look closely at what is happening in Athens. For the past 200 years, Greece has been at the forefront of Europe’s evolution.
In the 1820s, as it waged a war of independence against the Ottoman Empire, Greece became an early symbol of escape from the prison house of empire. For philhellenes, its resurrection represented the noblest of causes. “In the great morning of the world,” Shelley wrote in “Hellas,” his poem about the country’s struggle for independence, “Freedom’s splendor burst and shone!” Victory would mean liberty’s triumph not only over the Turks but also over all those dynasts who had kept so many Europeans enslaved. Germans, Italians, Poles and Americans flocked to fight under the Greek blue and white for the sake of democracy. And within a decade, the country won its freedom.
Over the next century, the radically new combination of constitutional democracy and ethnic nationalism that Greece embodied spread across the continent, culminating in “the peace to end all peace” at the end of the First World War, when the Ottoman, Hapsburg and Russian empires disintegrated and were replaced by nation-states.
In the aftermath of the First World War, Greece again paved the way for Europe’s future. Only now it was democracy’s dark side that came to the fore. In a world of nation-states, ethnic minorities like Greece’s Muslim population and the Orthodox Christians of Asia Minor were a recipe for international instability. In the early 1920s, Greek and Turkish leaders decided to swap their minority populations, expelling some two million Christians and Muslims in the interest of national homogeneity. The Greco-Turkish population exchange was the largest such organized refugee movement in history to that point and a model that the Nazis and others would point to later for displacing peoples in Eastern Europe, the Middle East and India.
It is ironic, then, that Greece was in the vanguard of resistance to the Nazis, too. In the winter of 1940-41, it was the first country to fight back effectively against the Axis powers, humiliating Mussolini in the Greco-Italian war while the rest of Europe cheered. And many cheered again a few months later when a young left-wing resistance fighter named Manolis Glezos climbed the Acropolis one night with a friend and pulled down a swastika flag that the Germans had recently unfurled. (Almost 70 years later, Mr. Glezos would be tear-gassed by the Greek police while protesting the austerity program.) Ultimately, however, Greece succumbed to German occupation. Nazi rule brought with it political disintegration, mass starvation and, after liberation, the descent of the country into outright civil war between Communist and anti-Communist forces.
Only a few years after Hitler’s defeat, Greece found itself in the center of history again, as a front line in the cold war. In 1947, President Harry S. Truman used the intensifying civil war there to galvanize Congress behind the Truman Doctrine and his sweeping peacetime commitment of American resources to fight Communism and rebuild Europe. Suddenly elevated into a trans-Atlantic cause, Greece now stood for a very different Europe — one that had crippled itself by tearing itself apart, whose only path out of the destitution of the mid-1940s was as a junior partner with Washington. As the dollars poured in, American advisers sat in Athens telling Greek policy makers what to do and American napalm scorched the Greek mountains as the Communists were put to flight.
European political and economic integration was supposed to end the weakness and dependency of the divided continent, and here, too, Greece was an emblem of a new phase in its history. The fall of its military dictatorship in 1974 not only brought the country full membership in what would become the European Union; it also (along with the transitions in Spain and Portugal at the same time) prefigured the global democratization wave of the 1980s and ’90s, first in South America and Southeast Asia and then in Eastern Europe. And it gave the European Union the taste for enlargement and the ambition to turn itself from a small club of wealthy Western European states into a voice for the newly democratic continent as a whole, extending far to the south and east.
And now today, after the euphoria of the ’90s has faded and a new modesty sets in among the Europeans, it falls again to Greece to challenge the mandarins of the European Union and to ask what lies ahead for the continent. The European Union was supposed to shore up a fragmented Europe, to consolidate its democratic potential and to transform the continent into a force capable of competing on the global stage. It is perhaps fitting that one of Europe’s oldest and most democratic nation-states should be on the new front line, throwing all these achievements into question. For we are all small powers now, and once again Greece is in the forefront of the fight for the future.
Mark Mazower is a professor of history at Columbia University.

Independent.co.uk
Mark Mazower: A strategy for international insecurity

Washington's predicament is that it is not powerful enough to impose peace on its own terms

Thursday, 23 March 2006


The invasion of Iraq marked a diplomatic revolution. For the first time since Suez, a major power - and in this case the world's most powerful military state by a very large margin - deliberately launched a war outside its traditional sphere of influence without being threatened with imminent attack. The new US policy, which implied war might be more than merely a last resort in the face of imminent danger, flew in the face of prevailing international norms.


Once war had seemed a natural part of international life. But not for many decades past. Nazism, and two world wars, have left their mark. It was, after all, fascism's unabashed militarism (and not its racism) that so shocked the world. That is why the Nazi defendants at Nuremberg faced charges of conspiring to wage aggressive war, as if they were not statesmen but criminals ganging up on the civilised ways of a peace-loving world. Whatever may be the difference between conspiring to wage aggressive war and plotting a war of "pre-emption", it is not enough to hide the fact that the national security strategy of George W Bush takes us in a new and dangerous direction.

The image of the US has been so deeply tarnished that it will take years to recover. In addition, the sight of a rampaging rogue superpower has completely transformed the position of the UN as well. Badly regarded by the Bush administration, it has thereby acquired new virtues in everyone else's eyes.

Whose bidding does the UN exist to serve? Is its prestige bolstered or diminished by having turned - in the eyes of many of its members - into the repository for an alternative, more consensual and far more desirable way of ordering the world's affairs than that posited by the Bush administration? These questions are symptomatic of the intense spotlight that now shines on that institution too.

Behind the war itself, there was little strategy but ideology aplenty. The neo-conservatives appear to have believed - and it was more an article of faith than an analysis - that toppling Saddam would automatically democratise first Iraq and then the rest of the Middle East, and that this process would facilitate a peace settlement between Israel and her Arab neighbours.

The fallacies are now self-evident, but to bring out the truly lethal consequences, we might compare the situation in the Middle East at present with that in eastern Europe. Both are zones where, after 1918, older empires collapsed and were succeeded by newly-minted nation-states. And in both, this territorial settlement was vulnerable because these nation-states did not really exist except in the wishful mind of their sponsors. Interwar Czechoslovakia, Poland and Yugoslavia were not so different in that respect from Mandatory Iraq; they were all patchworks, with substantial minority populations.

Yet nearly a century later, how differently they have turned out. In eastern Europe, ethnic cleansing wiped out many minorities, while the bitter experience of the Second World War made people aware of the fragility of regional peace. Pan-European political and legal frameworks stabilised borders and inhibited changes to them by force. Relations amongst once hostile neighbours dramatically improved.

The transition to democracy after 1989 was mostly smooth. Czechs and Slovaks divorced quietly. Even the break-up of Yugoslavia failed to trigger off a wider conflict. Everyone felt they had too much to lose and today, eastern Europe's problems are chiefly those of economic enlargement.

In the Middle East, things took another path. Right at the outset, Woodrow Wilson brought independence to Slavs but denied it to Arabs; instead, colonial rule by Europeans replaced that of the Ottomans. The main consequence of the Second World War was not the shock of experiencing total war but the creation of Israel, which destabilised the region still further. And whereas Eastern Europe fell under Soviet hegemony and thus avoided becoming a plaything of the superpowers during the Cold War, in the Middle East the American-Soviet antagonism ran through the region, as each power wrestled with the other through its proxies.

External interventions and the conflict with Israel militarised politics and undermined democracy. Even before 2003, therefore, the Middle East state system had travelled in the opposite direction to that taken by eastern Europe. But it took the invasion of Iraq to reveal how easily it could all unravel.

The EU has - for obvious reasons - not played the same kind of stabilising role in the Arab world that it has in eastern Europe. There is no carrot of membership (except possibly for Turkey), and thus no European incentive to democratise. Rather, democratisation has been introduced by the Bush administration, and rendered suspect because of this.

When one looks back to the days of the Eisenhower administration, one sees how far the US has moved from playing the role of honest broker in the Israel-Palestine conflict. Yet Washington's predicament is that while it can no longer act as an effective intermediary, neither is it powerful enough to impose peace on its own terms.

Can the European Union do more to make a difference? Yes, if it recognises how far its own security now depends upon calm beyond its borders. For decades the EU devoted itself to tackling the chief 19th-century threat to the continent - the Franco-German antagonism. This it did so successfully that the problem no longer exists. The task for a new generation of EU leaders is to show what their very considerable soft economic power can do to project an alternative route to peace.

The writer is a Professor of History at Columbia University, New York

Monday, February 7, 2011

המכשפות - להתעורר בבוקר ולשנוא את עצמךInbal Perlmuter Died October 1997

מאמר מהארץ

w w w . h a a r e t z . c o . i l

עודכן ב- 08:23 25/02/2011

הכישוף של ענבל פרלמוטר לא פג

ענבל פרלמוטר היתה אמורה לחגוג בחודש שעבר את יום הולדתה ה-40. זו ההצדקה לצאת מהדורה חדשה של "הקלטות אחרונות". אילו היתה זוכה להקליט את השירים באיכות סבירה זה היה טוב יותר, אבל זה מה יש - וזה המון


היא לא הגיעה אפילו לגיל 27. ענבל פרלמוטר עזבה את המועדון כמה חודשים לפני הגיל שמככב במיתולוגיית המוות של הרוקנרול. המעריצים שלה, אפשר להניח, עדיין מבכים את האובדן, אף על פי שעברו כבר יותר מ-13 שנים מאז תאונת הדרכים שבה מתה. ובעצם, אולי לא רק הם. נדמה שכל מי שהקשיב ל"הקלטות אחרונות", אלבום הסקיצות הנפלא שיצא אחרי מותה של פרלמוטר, גם אם לא היה מעריץ של להקתה "המכשפות", נושא אתו מטען כלשהו של זיכרון ממנה: מטען של שמחה על האמנות הנהדרת שהשאירה אחריה ומטען של צער על מותה בגיל צעיר כל כך.

"הקלטות אחרונות", ובו שירים שפרלמוטר הקליטה בהקלטות ראשוניות ואף מצ'וקמקות, ראה אור כשנה אחרי מותה של הזמרת. להוצאתו קדמה התלבטות: היו בין מקורביה של פרלמוטר כאלה שטענו שהיא לא היתה רוצה שהשירים יישמעו בצורתם הגולמית. איזה מזל שדעתם לא התקבלה. אם אלבום סקיצות יכול להיות יצירת מופת, ייתכן שזה המקרה. קשה לחשוב על מצבה אמנותית יפה ומרגשת יותר מהאלבום הזה, שהעמיק את גוף היצירה של פרלמוטר וגילה עליה דברים שרק נרמזו באלבומים של "המכשפות".

אילו פרלמוטר היתה בחיים היא היתה חוגגת בחודש שעבר את יום הולדתה ה-40, וסביב התאריך הזה ראתה אור מהדורה חדשה של "הקלטות אחרונות", שזהה בתוכנה לאלבום המקורי. לצד השירים שנכנסו לאלבום היו שירים נוספים שפרלמוטר השאירה אחריה, ואפשר כמובן להצטער על כך שהמהדורה החדשה לא כוללת לפחות חלק מהם, אם כי לעצם הוצאתו המחודשת של אלבום כל כך טוב יש ערך גדול.

הדבר היחיד שהשתנה במעבר למהדורת 2011 הוא העטיפה. במקום העטיפה המקורית - ציור מופשט (ונהדר) בצבעי לבן-אינסוף ואדום-דם - רואים עכשיו תצלום של פרלמוטר. היא עומדת על הבמה, במעיל עור ובפנים עגומות. המעיל והגיטרה הם הכי רוקנרול, אבל המבט ושפת הגוף מקפיאים מיד את האנרגיה: הם מקרינים תלישות, בדידות ועצב עמוק, שהם חומרי הבסיס של האלבום הזה.

למעשה, חומר הבסיס האמיתי של "הקלטות אחרונות" הוא המוות: גם בשל הנסיבות הנוראות שבהן יצא האלבום, אבל בעיקר בגלל השירים עצמם. זה אלבום מזעזע מהבחינה הזאת. "מרחוק שומעת המולה / מתקרבת מכונית כחולה / רק עוד צעד ואז הצלילההההההההה" ("מעכבת"). "כי בסגנון כזה למות זה לא מובן לי עד עכשיו / כל כך אלים שזה בוטה וזה מפחיד / וזו תמונה שתישאר כבר לתמיד / אתה יודע שהכל נהיה אדום / כשהוא חתך לעצמו את הגרון" ("סיגריות לייט"). בשיר "חלום" פרלמוטר מסיימת את הפזמון במלים "ורציתי למות", ואפילו שיר שמצלצל אופטימי נושא את השם "זהירות מהמרווח".

אבל יותר מהאזכורים המפורשים האלה למוות, שממחישים את הכנות והאומץ הנדירים של פרלמוטר, מזעזעים השירים שבהם היא מדברת על המוות בצורה מעודנת ועקיפה. בשירים האלה היא מצליחה לצייר איזה שטח הפקר שבין החיים למוות: כבר לא כאן, אבל עדיין לא שם. זה קורה מיד בפתיחת האלבום.

בשיר "חתול בשק" היא שרה כך: "למתוח קפיץ, להסתובב אולר בכיס מרחיק אויב / רכבת מתרחקת - עשן ונקודה / להדגיש בסרגל את הספק לעובדה / וגם לחלום לרקום לפרום לחלום לרקום לפרום לחלום לרקום לפרום". בכמה משפטים, ובלי לומר "אני" (בכלל, אין הרבה "אני" באלבום הזה, אף על פי שהוא אישי בצורה מפחידה), פרלמוטר מצליחה לזקק תמונת נפש עשירה, מדויקת ומדכאת מאוד: הקיום האוטומטי והמנוכר ("למתוח קפיץ"), הסכין הצמודה (שמרחיקה אויבים, אבל אולי גם ידידים, ומן הסתם מכוונת גם ובעיקר אל עצמך), תחושת המחיקה וההיעלמות (הרכבת המתרחקת), העדרה המוחלט של היציבות (אין עובדות, יש רק ספקות) וההרגשה - יותר מהרגשה: ידיעה - שכל מה שנרקם נפרם בסוף.



הנה עוד דוגמה לשיר שבו מצטייר קו התפר שבין החיים למוות. קוראים לו "חלום", וכך פרלמוטר שרה: "אני שכחתי את עצמי בתוך חלום נורא מפחיד / אני שכחתי את עצמי בתוך חלום נורא מפחיד / זה היה בוקר רגיל / בלי סימן לענן / ומבוך התפתל מסביבי / התעוררתי (או לא) בצל חומה ענקית / ובדרך אל השער כל גרגיר ניצב כמו הר חוסם ראות / ורציתי למות / התעוררתי (או לא) בצל חומה ענקית / והשער עדיין רחוק / ורציתי לצחוק". לא לי לקבוע אם הטקסט הזה הוא אמנות טובה כשלעצמו (אני חושב שכן), אבל הצורה שבה פרלמוטר הלחינה ושרה אותו היא ללא ספק אמנות במיטבה. אחרי ההתעוררות (או לא) בצל חומה ענקית, היא יורה בצרור מהיר וחסר נשימה את המלים "ובדרך אל השער כל גרגיר ניצב כמו הר חוסם ראות". זה היה המאמץ האחרון, והכושל, להגיע אל השער. אחריו בא ה"ורציתי למות". וכשפרלמוטר חוזרת שוב על סצינת ההתעוררות (או לא), היא מלחינה ושרה בנימה של ויתור מוחלט את המשפט "והשער עדיין רחוק. רחווווווווק". הצחוק בסיום הוא לא צחוק שמסמל חיים. זה צחוק אפל ורעיל, הצחוק שלאחר המוות.

המוסיקה ב"הקלטות אחרונות" באמת גולמית מאוד, כפי שטענו אלה שהתנגדו בזמנו להוצאת האלבום. אבל כשברוקנרול עסקינן גולמיות היא חיסרון רק במקרה של אישיות מימית ומוסיקה דלה. האישיות במקרה הזה עזה במיוחד, והלחנים של פרלמוטר לגמרי לא דלים. נכון, הם לא מורכבים במיוחד. פרלמוטר באה ממסורת של ישירות ופשטות. אבל בהלחנה שלה יש איכות חשובה מאוד: דינמיקה. היא יודעת ליצור מתח בין מונוטוניות לבין תנועה מהירה, והיא בעיקר יודעת לשים את האקורד הבסיסי הנכון בשבריר השנייה הנכון. האיכות הזאת עמדה בבסיס הגל הגדול של הרוק בתחילת-אמצע שנות ה-90 - מקורט קוביין ועד, להבדיל, "מופע הארנבות של ד"ר קספר" - והיא לוותה בדרך כלל בהמולת דיסטורשן ובתופים גועשים.

ב"הקלטות אחרונות" יש הבלחות של תופים ודיסטורשן, אבל ככלל זה אלבום קטן ושקט, אלבום של אשה אחת שהקליטה את עצמה בבית. חרף הסאונד המקווצ'ץ', גם זה יתרון: לא רק בגלל הממד האינטימי שהסיטואציה יוצרת, אלא גם מפני שדיסטורשן ותופים חזקים אף פעם לא היו המגרש הטבעי של פרלמוטר. "המכשפות", בינינו, אף פעם לא ידעו לתת בראש. לא היה להן הנפח והדרייב. כך שבסיטואציה יותר קאמרית השירים של פרלמוטר יוצאים נשכרים. הקלטה באיכות סבירה היתה מוציאה אותם כמובן עוד יותר טוב, אבל זה מה יש - וזה המון.

פרלמוטר התבקשה פעם על ידי מוסף התרבות של "מעריב" לציין את תחנות התרבות שלה. היא הגישה רשימה אינסופית של מוסיקאים, ציירים, סופרים, משוררים, במאים, וגם אתרים שבהם ספגה את כל השפע הזה - ממועדון הפינגווין, דרך קולנוע פריז ומכון גתה, ועד הפרדס מאחורי תיכון דה-שליט ברחובות. נדמה שהרקע התרבותי העשיר והעמוק הזה (יש קישור אליו בערך של פרלמוטר בוויקיפדיה) התגלגל לתוך "הקלטות אחרונות" ויחד עם המשאב העיקרי, שהוא כמובן הכישרון הגדול והנפש המורכבת של פרלמוטר, יצר את האוצר הקטן הזה.

אחת הלהקות שפרלמוטר הזכירה ברשימת תחנות התרבות שלה היתה "להקה רטורית" של יוסי אלפנט, והקאוור שלה ל"אם יש לך שמש", שחותם את "הקלטות מאוחרות", מזכיר במובן מסוים (בעיקר בשירה הרצוצה-מנומנמת) את הקאוור של אלפנט ל"Sea of love". מה שמעלה את הטרוניה הבלתי נמנעת: נכון שזה רוקנרול וכל זה, אבל למה לכל הרוחות הכי טובים הולכים ראשונים? *

ענבל פרלמוטר - "הקלטות אחרונות". ליליאן שוץ הפקות
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Saturday, January 22, 2011